However, I can achieve the color that I want with the existing tools or the tools we had before this version, in particular, the HSL tone curve and some of our other options. Then, if you expand this, you have additional range options based on the hue saturation and luminance. That will allow you to choose the colors you want to work with. To the left, you get fewer colors you’re targeting, and to the right, more colors, so a more comprehensive or smaller range. Now, we have more options that we don’t have with the mixer or HSL, which will allow you to target more or fewer colors with this range slider here. So, we use our eyedropper tool here to click on a color to target it for adjusting the hue saturation and luminance. Next to that, we have point color.Īccording to Adobe, you will have more accuracy in pinpointing your colors with this versus HSL. I’ve been using it for a long, long time, at least 10 years or however long it’s been out. So once you expand this, you’ll see this mixer option here, this little tab, and this will get you the HSL editing tools. So the next thing you’ll notice is HSL needs to be added.ĭon’t despair it’s not gone yet, hopefully never, but it’s been repositioned into the color mixer here. So, this is something other than an editing tool that I’m excited about. I don’t have an HDR monitor, and even if I did and tried to show you how to use it, you would see what I see if you don’t have an HDR monitor, and I will never buy one. This is for those of you who have an HDR display that can then take advantage of seeing more information, more detail, and more luminance values in that HDR image that you can’t get in a regular monitor. Now, this is different from taking multiple exposures and merging them together to create an HDR image. So the first thing we have is under the basic panel here, we have a new button called HDR. So, let’s check out the three new editing tools, and then I’ll show you how to roll back if you want to do that. I will only use them if someone can convince me who is more intelligent than I am that these tools will be helpful.Īnd that’s possible because, in the future, these tools may be improved, and then I may reexamine them and use them in the future.īut until then, I’m not using them. If you decide that you no longer wanna use Lightroom 13, the problem is the three new editing tools we have. And I will show you how to roll back as well. I just upgraded to Lightroom Classic 13 and Lightroom 7, and I will be rolling back at the end of this video. Script This is the most underwhelming update to Lightroom in years. Since then, Adobe has released v13.0.1, which has solved most of those problems, and I’m now using the latest version. When I first upgraded to Lightroom Classic 13, I was introduced to various bugs and crashes, which led me to include instructions to roll back to v12.5 (as explained in the video above). Hopefully, there’s a drastic improvement. With that information, Adobe will improve Lens Blur. Which is another word for “Beta.”Īt the bottom of your panel, there’s a link to provide feedback. They’ve also included a short message that states you have “Early Access” to this tool. Lens BlurĪdobe’s attempt to provide a “Lens Blur” is a failure. I’ve been able to achieve my creative vision since the introduction of HSL.Īnd now that the Color Picker (along with “HSL”) is included for Masks… that’s all I need. Within, you’ll find HSL has been renamed to “Mixer.” Next to that is the new Color Picker.Īlthough Color Picker has “HSL” features, additional tools provide more precision and control over the range of colors. HSL is still available (for now) via the Color Mixer Panel. There’s one catch: you’ll need an HDR monitor to work and see your edits. You’ll be able to edit every aspect of a single image… in HDR and then export it in multiple formats. Instead, this HDR tool allows you to make individual images more vibrant. This isn’t a tool to merge multiple exposures to create an HDR. In the video above, I go into greater detail with examples.
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